Uwem Akpan's stunning stories humanize the perils of poverty and violence so piercingly that few readers will feel they've ever encountered Africa so immediately. The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord.
In the second of his stories published in a New Yorker special fiction issue, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children. This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa.
Akpan's voice is a literary miracle, rendering lives of almost unimaginable deprivation and terror into stories that are nothing short of transcendent.
About the Author
Uwem Akpan was born in Ikot Akpan Eda in southern Nigeria. After studying philosophy and English at Creighton and Gonzaga universities, he studied theology for three years at the Catholic University of Eastern Africa. He was ordained as a Jesuit priest in 2003 and received his MFA in creative writing from the University of Michigan in 2006. "My Parents' Bedroom," a story from his short story collection, Say You're One of Them, was one of five short stories by African writers chosen as finalists for The Caine Prize for African Writing 2007. Say You're One of Them won the Commonwealth Writers' Prize for Best First Book (Africa Region) 2009 and PEN/Beyond Margins Award 2009, and was a finalist for the Los Angeles Times Art Seidenbaum Award for First Fiction. In 2007, Akpan taught at a Jesuit college in Harare, Zimbabwe. Now he serves at Christ the King Church, Ilasamaja-Lagos, Nigeria.
Praise for Say You're One of Them…
"Awe is the only appropriate response to Uwem Akpan's stunning debut, Say You're One of Them, a collection of five stories so ravishing and sad that I regret ever wasting superlatives on fiction that was merely very good. A."—Jennifer Reese, Entertainment Weekly (EW Pick / Grade A)
"[A] startling debut collection... Akpan is not striving for surreal effects. He is summoning miseries that are real.... He fuses a knowledge of African poverty and strife with a conspicuously literary approach to storytelling filtering tales of horror through the wide eyes of the young."—Janet Maslin, The New York Times
"Uwem Akpan's searing Say You're One of Them captures a ravaged Africa through the dry-eyed gaze of children trying to maintain a sense of normalcy amid chaos."—Megan O'Grady, Vogue
"The humor, the endurance, the horrors and grace-Akpan has captured all of it.... The stories are not only amazing and moving, and imbued with a powerful moral courage-they are also surprisingly expert.... Beautifully constructed, stately in a way that offsets their impoverished scenarios. Akpan wants you to see and feel Africa, its glory and its pain. And you do, which makes this an extraordinary book."—Vince Passaro, O Magazine
"Uwem Akpan, a Nigerian Jesuit priest, has said he was inspired to write by the 'humor and endurance of the poor,' and his debut story collection...about the gritty lives of African children - speaks to the fearsome, illuminating truth of that impulse."—Lisa Shea, Elle
"Haunting prose.... A must-read."—Kirkus Reviews (starred review)
"Uwem Akpan's stunning short story collection, Say You're One of Them, offers a richer, more nuanced view of Africa than the one we often see on the news....Akpan never lets us forget that the resilient youngsters caught up in these extraordinary circumstances are filled with their own hopes and dreams, even as he assuredly illuminates the harsh realities."—Patrik Henry Bass, Essence
"In the corrupt, war-ravaged Africa of this starkly beautiful debut collection, identity is shifting, never to be trusted...Akpan's people, and the dreamlike horror of the worlds they reveal, are impossible to forget."—Kim Hubbard, People
"All the promise and heartbreak of Africa today are brilliantly illuminated in this debut collection..."—John Marshall, Seattle Post-Intelligencer
"Akpan's brilliance is to present a brutal subject through the bewildered, resolutely chipper voice of children...All five of these stories are electrifying."—Maureen Corrigan, NPR's "Fresh Air"
"...a tour de force that takes readers into the lives glimpsed in passing on the evening news...These are stories that could have been mired in sentimentality. But the spare, straightforward language - there are few overtly expressed emotions, few adjectives--keeps the narratives moving, unencumbered and the pages turning to the end."—Associated Press
"brilliant...an extraordinary portrait of modern Africa... [Akpan]... is an important and gifted writer who should be read."—Deirdre Donahue, USA TODAY
"This fierce story collection from a Nigerian-born Jesuit priest brings home Africa's most haunting tragedies in tales that take you from the streets of Nairobi to the Hutu-Tutsi genocide."—Margo Hammond & Ellen Heltzel, Minneapolis Star Tribune
"Akpan combines the strengths of both fiction and journalism - the dramatic potential of the one and the urgency of the other - to create a work of immense power...He is a gifted storyteller capable of bringing to life myriad characters and points of view...the result is admirable, artistically as well as morally."—Adelle Waldman, Christian Science Monitor
"It is not merely the subject that makes Akpan's...writing so astonishing, translucent, and horrifying all at once; it is his talent with metaphor and imagery, his immersion into character and place....Uwem Akpan has given these children their voices, and for the compassion and art in his stories I am grateful and changed."—Susan Straight, Washington Post Book World (front page review)
"Say You're One of Them is a book that belongs on every shelf."—Sherryl Connelly, New York Daily News
"Searing...In the end, the most enduring image of these disturbing, beautiful and hopeful stories is that of slipping away. Children disappear into the anonymous blur of the big city or into the darkness of the all-encompassing bush. One can only hope that they survive to live another day and tell another tale."—June Sawyers, San Francisco Chronicle
"These stories are complex, full of respect for the characters facing depravity, free of sensationalizing or glib judgments. They are dispatches from a journey, Akpan makes clear, which has only begun. It is to their credit that grim as they are-you cannot but hope these tales have a sequel."—John Freeman, Cleveland Plain-Dealer
"An important literary debut.... Juxtaposed against the clarity and revelation in Akpan's prose-as translucent a style as I've read in a long while--we find subjects that nearly render the mind helpless and throw the heart into a hopeless erratic rhythm out of fear, out of pity, out of the shame of being only a few degrees of separation removed from these monstrous modern circumstances...The reader discovers that no hiding place is good enough with these stories battering at your mind and heart."—Alan Cheuse, Chicago Tribune
"A stupefyingly talented young Nigerian priest. Akpan never flinches from his difficult subjects--poverty, slavery, mass murder--but he has the largeness of soul to make his vision of the terrible transcendent."—Jeffrey Burke and Craig Seligman, Bloomberg News
"Any of the six stories in this collection set in Africa is enough to break a reader's heart. Two are novella length, including a tour de force, 'Luxurious Hearses,' which takes place on a crowded bus."—From citation by Larry Dark for SAY YOU'RE ONE OF THEM, a Notable Book finalist for The Story Prize.
"Robin Miles adopts a lovely French-African accent, and if she allows Akpan's beautiful turns of phrase to shine, the underlying tension and fear are also never far from the surface. Miles also narrates "What Language Is That?" This story is partially unaccented, a choice that accentuates the second-person point of view...Dion Graham, in Kenyan-accented English, successfully embodies the family's mother and father, teenaged daughter, and young son"—AudioFile, Publishers Weekly